![]() ![]() To do this, we will be using some beautiful textures courtesy of Honnum Graphic Art from the all new Totally Vibrant Textures and Patterns Bundle. We've prepared insightful talks with some of our most inspiring friends.In this tutorial we will be creating a fun throwback concert poster design in Photoshop. This year's theme is "Back to the Forest"□□□□□ ![]() Available online and in-person, October through December. Today we're happy to share the first batch of the Connected Ink 2023 event schedule. So check that out if you want to go further in depth.Įxtra Tip: If you have a little digital painting experience and want your shapes to be neater, you can also eyedropper a color and then use a Hard Round Brush to fill in the lines’ jagged edges. He also uses this technique extensively in a related tutorial, Transform Portraits to GTA Characters in Photoshop, which demonstrates a very similar process, but with more detail and extra steps. The end result is a composite of multiple versions of the same image with different Cutout filter settings applied, and an extra layer to add hand-painted highlights - but it coheres flawlessly: Step 4: Painting corrections and highlightsįinally, he creates a new Normal layer and uses a Hard Round Pressure Size brush to paint highlights in white to take the illustration to the next level. Then he creates a layer mask on the latter ones, clears them so none of the layers are showing, and with his Wacom Intuos Pro pen tablet, carefully paints on the masks so that the more detailed images will only show through on the parts of the face he wants to be more defined. This makes the cutout’s lines more complex and jagged, though, so Dinda advises keeping it at minimum for a cartoony look.ĭinda goes on to make multiple duplicates of the image with Cutout filters applied at different intensities, from a highly abstract first version, which he emphasizes you should keep as minimal as possible while still capturing the resemblance, to more detailed second and third variants. Edge Fidelity, the third slider, is mostly a supplement to Edge Simplicity, controlling exactly how much of the image’s fine details the filter tries to preserve while still reducing the number of colors.Dinda describes this one as “the main game,” making it his primary tool for controlling the output illustration. Edge Simplicity is exactly what it sounds like.Number of Levels is the closest direct equivalent to Posterize it cuts your image into sections of flat colors.On opening Filter Gallery, you’ll find Cutout under the first tab, Artistic. You can convert your image to 8-bit by going to Image > Mode in the menu bar and selecting 8-bit. Key Tip: If the Filter Gallery option is grayed out, that’s because your image is in 16 or 32-bit, but the Filter Gallery can only be applied to images in 8-bit. Any filter put on a Smart Object is naturally applied as a Smart Filter, meaning it too can be adjusted at any time. This allows you to create more complex compositions that include multiple smaller images, while keeping them all editable. For those less familiar with Adobe Photoshop, this converts the layer into a “file within a file:” In order to edit it, you open it in a new window, then save and close it when you’re done just as if it were a different project. ![]() Step 1: Smart ObjectsĪfter opening the source image, the first thing Dinda does is duplicate the image’s layer, then go to the Filter menu and select “Convert for Smart Filters,” changing the new layer into a Smart Object. These dictate the amount of detail and the smoothness of your edges. Found in the Filter Gallery, Cutout functions like an advanced version of the Posterize filter with three sliders: Number of Levels, Edge Simplicity, and Edge Fidelity.
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